![]() Using REDCINE-X PRO or other editing applications supporting the RED SDK, you can pull full resolution still images from R3D files. With presets optimized for stills and Swipe-Up Shortcuts for the RED Touch display, switching from Motion mode to Stills mode is seamless. The camera is equipped with a Stills mode that makes it easier to capture stunning images. Because of the ability to record at high frame rates and resolution, the camera is ideally suited to capture video and still images, simultaneously. High resolution video, such as the digital footage captured by the camera, has surpassed the detail necessary to produce professional full-sized prints. This information is stored as reference metadata, so that these color processing choices can be the default values used in post production. RMD "Look" files which may then be imported as camera monitor path color processing presets. The ability to compress RAW data is one of the significant technologies that RED has brought to the industry. REDCODE is a visually lossless, wavelet-based compression codec that reduces R3D RAW files into a manageable size, allowing longer recording times on media. ![]() This recording technique promotes flexibility in RGB color processing, which can be deferred to post production or adjusted in the field, without affecting the recorded RAW data image quality or dynamic range. Instead, color parameters are saved as reference metadata that is, color is not burned into the recorded RAW data. ![]() RAW data is recorded independently of any RGB domain color processing such as ISO, White Balance or other RGB color space settings. Each RAW frame or sequence of RAW frames in a clip, is compressed using a proprietary wavelet based REDCODE RAW compression, then stored to a RED MINI-MAG. In the R3D file format, the digital image received from the sensor is formatted as a pixel-defect corrected (but in all other aspects unprocessed) 16-bit per pixel RAW data frame. The R3D file format was developed by RED to provide an efficient and manageable RAW video data format that promotes advanced post production editing capabilities. To construct a working configuration for any camera, RED recommends an expander, battery, lens mount, display and media.Īll videos and frames are recorded to the R3D file format. A port expander or power module is required to power the camera. The camera itself does not have a DC IN power port. The DSMC2 MONSTRO also supports interchangeable OLPFs and lens mounts - empowering you to make the most of all of your compatible lenses. The camera features cable-free peripherals, integrated mounting plate, wireless control and compatibility with a growing number of DSMC2 modules and accessories. DSMC2 offers greater creative freedom via its ability to simultaneously record in both R3D and Apple ProRes or Avid DNxHR/HD.Īs a member of the DSMC2 camera lineup, the DSMC2 MONSTRO benefits from the advanced modularity of the RED ecosystem. RED's proprietary REDCODE RAW file format, also referred to simply as R3D, gives you maximum flexibility during post. The MONSTRO sensor takes the next step in exceeding beauty offered by film - up to 17x more resolution than HD - and over 4x more than 4K. Showcase the depths of shadows as well as highlight roll-off to capture otherwise imperceptible details.Īll RED cameras deliver stunning resolution and image quality - creating clean and organic images that bring your footage to life. The result is cinema image quality that breathes life into your footage. RED's premier sensor provides cinematic Full Frame lens coverage and delivers 17+ stops of dynamic range.ĭSMC2 combines advanced color science with incredible dynamic range. Tack on interchangeable OLPFs and lens mounts and DSMC2 gives you the ultimate control over your footage. It is also compatible with a growing arsenal of modules and accessories - from RED and other Third-Party manufacturers. With features like cable-free peripherals, integrated media bay, wireless control, DSMC2 is the most powerful and intuitive camera to date. A DSMC2 BRAIN is capable of data write speeds of 300 MB/s, can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD and is offered with three sensor options - delivering incredible dynamic range and up to 8K resolution. The camera BRAIN is the primary building block of the RED system, housing the image sensor and advanced computing components.
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